W. W. Norton & Company (2024)

Melody : Rhythm : Harmony : Texture : Form : Dynamics : Timbre

Form: Musical structure and design

W. W. Norton & Company (1) Form The structure or shape of a musical work, based on repetition, contrast, and variation; the organizing principle of music. Binary and ternary are basic forms, while more sophisticated forms include rondo, sonata–allegro, minuet and trio, theme and variations, ritornello, and fugue.
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W. W. Norton & Company (7) Repetition Within a form, repetition fixes the material in our mind and satisfies our need for the familiar; it provides unity to a form.
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W. W. Norton & Company (13) Contrast Within a form, contrast sustains our interest and feed our love of change.
In this example, the first musical idea (heard twice at a fast tempo) is balanced by a contrasting idea, which is also repeated.
Example: Corelli, Suite for Strings, "Badinerie"
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W. W. Norton & Company (19) Variation A formal principle in which some aspects of the music are altered but still recognizable.
Here, a familiar melody is varied by a change of harmony (from major to minor) and by altering the rhythm, yet it is still recognizable.
Example: Haydn, Symphony No. 94 (Surprise), second movement
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W. W. Norton & Company (25) Theme A melodic idea used as a basic building block in the construction of a composition. (The main theme of a fugue is called a "subject.")
This melody, or theme, is one in a series of musical events in this work. The theme is a basic idea out of which subsequent musical events grow.
Example: Brahms, Symphony No. 1 in C minor, fourth movement
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W. W. Norton & Company (31) Thematic development The process of revealing a theme’s capacities and brining them to fulfillment. The principle of elaborating or varying a musical idea is pervasive in Western music, and it is also found in melody-oriented styles of many Far Eastern and Middle Eastern musics.
The composer elaborates and varies the opening idea in this example, thus revealing the theme's capacity for growth.
Example: Beethoven, Symphony No. 5 in C minor, first movement
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W. W. Norton & Company (37) Motive A small, thematic fragment that constitutes a melodic-rhythmic unit.
In this excerpt, a familiar four-note idea, or motive, is sounded twice before it is subjected to further development.
Example: Beethoven, Symphony No. 5 in C minor, first movement
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W. W. Norton & Company (43) Sequence A restatement of an idea at a higher or lower pitch level.
Here, the familiar motive is restated a number of times beginning on different pitches; thus, it is treated in sequence.
Example: Beethoven, Symphony No. 5 in C minor, first movement
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W. W. Norton & Company (49) Ostinato A short musical pattern – melodic, rhythmic, or harmonic- that is repeated persistently throughout a work or major section of a compostion.
In this example, a short (four-note) descending pattern in the bass is heard throughout under the voices.
Example: Monteverdi: Lament of the Nymphs
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W. W. Norton & Company (55) Basic forms Two- and three-part forms are common in short pieces such as songs and dances. Binary, or two-part, form (A-B) is based on statement and departure. Ternary, or three-part, form (A-B-A) extends the idea of statement and departure by bringing back the first section.
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W. W. Norton & Company (61) Advanced forms More intricate forms include rondo, sonata-allegro, minuet and trio, theme and variations, and fugue. Some are based on a single principal theme that undergoes development (fugue, theme and variations) or that is set off by contrasting sections (rondo, ritornello); others are based on two or more themes of equal or nearly equal importance (sonata-allegro, minuet and trio).
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W. W. Norton & Company (67) Responsorial Music Occurs when a solo singer (or solo group) acts as "leader," alternating with a chorus of "followers." This is found in some types of Western chant, as well as in many African and Native American musics (i.e., "call and response").
In this example of Gregorian chant, a soloist alternates with a choir, who responds by imitating what was just sung.
Example: Gregorian chant, "Kyrie eleison"
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W. W. Norton & Company (2024)

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